Filem Negara Malaysia (FNM) Jabatan Filem Negara (JFN) | |
Executive agency overview | |
---|---|
Formed | 1 April 1946 |
Preceding Executive agency | |
Dissolved | 2012 |
Superseding agency |
|
Headquarters | Jalan Utara, Petaling Jaya, Selangor, Malaysia |
Parent department | Ministry of Information, Communication and Culture |
Website | www.filemnegara.gov.my |
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The National Film Department of Malaysia (Malay: Filem Negara Malaysia), abbreviated FNM, sometime Jabatan Filem Negara (JFN); was a government department under the MalaysianMinistry of Communications and Multimedia, which was responsible for the filming and documentation of national events.[1] Its headquarters were located in Petaling Jaya, Selangor.
![Film Film](https://m.media-amazon.com/images/M/MV5BMWUwM2I2OTctOTRlNS00ZmRjLWI1NmEtNDc3Mjg0Zjg3Y2FiXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_.jpg)
Among the main functions of FNM was to spread the information about the policy, programme and achievement of the government and to promote the country through the films produced. Other than that, FNM was tasked to produce high quality documentary film and trailer to supply to customers. FNM was to be the official government film producing organisation with the high international level.
In 2012, Filem Negara Malaysia was merged with the National Film Development Corporation Malaysia (FINAS) to form a single agency.[2]
- 1History
- 3List of movie films by Filem Negara Malaysia
- 3.2Animations
History[edit]
Prior to 22 November 1963, the National Film Department (NFD) was known as the Malayan Film Unit. The Malayan Film Unit started its operations in April 1946 and was based in Jalan Bangsar, Kuala Lumpur. It was a unit under the National Communications Department (Jabatan Perhubungan Raya), thereafter known as the Department of Information.
The present National Film Department complex is situated at Jalan Utara, Petaling Jaya. It was officiated by the third Yang di-Pertuan Agong, Al-Marhum Tuanku Syed Putra Ibni Al-Marhum Syed Hassan Jamalullail on 24 August 1965. In his inaugural speech during the official opening ceremony of the NFD's new complex, Allahyarham Datuk Senu bin Abdul Rahman, the then Information and Broadcasting Minister, had announced that the ministry decided to incorporate NFD to be one of its departments.
The NFD's logo was created by Mr. Gillie Potter, the Art Director at the Motion Pictures Division. He had incorporated the picture of a tiger in the logo to symbolise activeness, patience and strength. These traits were crucial for the Malayan Film Unit at that time as it was facing many obstacles to prove its capability.
On every celebration season FNM would always produced advertisement or short story of 2 to 3 minutes based on the theme of compassion, unity, culture, courtesy and the respect to the elders that always showed on the TV screen. FNM which was equipped with producing and editing facilities was very much in confident would not have any problem to produce short programmes.
Undeniable that since its formation over half century, FNM had produced hundreds of good products until it received many recognitions in many festival or international awards in documentary, short story or animation category. Malahan, FNM also ever received recognitions in a few films produced such as Bila Hati Sudah Retak, Dayang Suhana or Embun.
Documentaries or short stories such as 'Before The Wind', 'Building Bonny Babies', 'The Letter', 'Buffaloes For Floughing' and 'Letter From Home' produced in 1954, or 'Hassan’s Home Coming', 'Youth In Action' and 'Malacca Then And Now' (1955), 'Rohani’s Steps Out', 'Valley of Hope', 'Timeless Temiar' and 'Malayan University' (1956) and also 'Wayang Kulit', 'Tin From Malaya' (1957) are some of the best products ever produced by FNM until it received many recognitions from Philippines, Japan, Canada, Hong Kong and Cambodia.
FNM also ever produced documentaries about the country unity and independence like 'Merdeka For Malaya, 'United We Stand', 'Master Farmer Kum Yeng', 'No Need To Be Poor' and 'Bapa Malaysia' which are the best products that should be shown again on TV.
In 2012, FNM was merged with the National Film Development Corporation Malaysia (FINAS).[3][4]
Branch office[edit]
NFD has a branch office situated at Kompleks RTM, Jalan P.Ramlee, Kuching, Sarawak. Sarawak's NFD branch, which was established in the mid 1960s, used to be the Sarawak Information Department Film Unit with the role of broadcasting and screening films produced by the NFD.
Sarawak's NFD branch has broadened its functions in covering the national events and producing films on Sarawak, Sabah and the Federal Territory of Labuan.
Act and functions[edit]
Filem Negara Malaysia's functions are clearly defined by an Act of Parliament which is the Functions of Ministries Act, 1969 P.U (A) 126 - Film Division and Production.
Among the functions of the department include:
- Production of documentary films and trailers
- Coverage of national events (archive)
- Storage and restoration of audio visual aids
- Selling of films and audio visual storage
- Distribution of the department's produced films
- Providing filming services
- The rental of the department's produced films
List of movie films by Filem Negara Malaysia[edit]
Films[edit]
- Dayang Suhana (1978)
- Bila Hati Telah Retak (1983)
- Embun (2002)
- Paloh (2003)
- Bangau Oh Bangau (2003)
Animations[edit]
'Hikayat Sang Kancil' series[edit]
- Sang Kancil (1983)
- Sang Kancil dan Sang Monyet (1984)
- Sang Kancil dan Sang Buaya (1985)
'Kisah dan Teladan' series[edit]
- Arnab yang Sombong (1986)
- Singa yang Haloba (1986)
- Gagak yang Bijak (1986)
- Telur Sebiji Riuh Sekampung (1995)
- Budi Baik Dibalas Baik (1995)
See also[edit]
References[edit]
- ^'Lim: Filem Negara can help unite the young'. The Star Online. 25 July 2003. Retrieved 25 July 2003.
- ^FINAS Dan Filem Negara Digabung Bagi Wujud Perbadanan Perfileman TunggalUmno Online. Retrieved 28 November 2012.
- ^FINAS and Filem Negara Malaysia to mergeThe Malaysian Times (29 November 2012). Retrieved on February 19,2013.
- ^Finas, Filem Negara To MergeMalaysia Digest (29 November 2012). Retrieved on February 19,2013.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Filem_Negara_Malaysia&oldid=899514847'
Blue Valentine | |
---|---|
Directed by | Derek Cianfrance |
Produced by |
|
Written by | |
Starring | |
Music by | Grizzly Bear |
Cinematography | Andrij Parekh |
Edited by | |
Production company | |
Distributed by | The Weinstein Company |
Release date |
|
112 minutes[1] | |
Country | United States |
Language | English |
Budget | $1 million[2] |
Box office | $16.6 million[2] |
Blue Valentine is a 2010 American romanticdrama film written and directed by Derek Cianfrance. Derek Cianfrance, Cami Delavigne, and Joey Curtis wrote the film, and Michelle Williams and Ryan Gosling played the lead roles as well as serving as co-executive producers for the film. The band Grizzly Bear scored the film. The film depicts a married couple, Dean Pereira (Gosling) and Cynthia 'Cindy' Heller (Williams), shifting back and forth in time between their courtship and the dissolution of their marriage several years later.
The film received critical acclaim and Williams was nominated for both an Academy Award and a Golden Globe Award for Best Actress while Gosling received a Golden Globe nomination for best actor.
- 3Production
- 4Release
- 5Reception
Plot[edit]
Dean is a young hopeless romantic high school dropout, working for a moving company in Brooklyn. Cindy is an aspiring doctor studying pre-med, living with her constantly fighting parents and caring for her grandmother in Pennsylvania. She is also dating a fellow student named Bobby. During intercourse one day, Bobby doesn't use protection causing an angered Cindy to break up with him. Dean and Cindy meet at her grandmother's nursing home while Dean is delivering a new resident's furniture. He gives her his number but she never calls. They coincidentally meet again on a bus and begin dating shortly afterwards. The two fall deeply in love and soon after, a jealous Bobby finds out and beats Dean up.
Cindy discovers she is pregnant and tells Dean the baby is unlikely to be his. At an abortion clinic, Cindy decides at the last moment to cancel the procedure. Dean comforts Cindy and tells her he doesn't mind if the child is not his and wants to begin a family with her. Cindy and Dean get married.
Five years later, the couple lives in rural Pennsylvania with their daughter, Frankie and family dog, Megan. Dean paints houses for a living and struggles with alcohol while Cindy is a nurse at a clinic. Megan goes missing one day and is found dead on the road side, further straining the couple's marriage. After watching old family videos, Dean insists on taking Cindy out for a romantic getaway at a motel so they can have some time off from their preoccupied lives, much to Cindy's reluctance. At a liquor store, Cindy runs into Bobby and begins a conversation. Cindy and Dean get into an argument in the car when she mentions seeing Bobby again.
At the motel, Dean constantly tries to seduce Cindy but she rebuffs him. They start fighting and she locks him outside the motel room. Cindy is called away by the clinic early in the morning. She takes the car and leaves a note for Dean. At the clinic, Cindy's boss, Dr. Feinberg, talks to her about a position he had offered her. He suggests that she move closer to work, but instead of moving her whole family, that she get an apartment and go back home for the weekends. He adds that he could keep her company during the week if she gets lonely. Visibly upset, Cindy says she previously thought he offered her the position because of her job skills.
Angered that Cindy left the motel without waking him, Dean shows up drunk at the clinic. He has a heated argument with Cindy which leads to a violent altercation with Dr. Feinberg. Dr. Feinberg kicks both Dean and Cindy out, firing the latter. Cindy demands a divorce while leaving the clinic. At her parents’ house, Dean tries to persuade Cindy to give the marriage another chance, asking if she wants their daughter to grow up in a broken home. Cindy says she does not want Frankie to grow up with parents who are so hateful to each other.
After Dean reminds Cindy of their wedding vows, they hug and apologize. Cindy then pulls away asking for some space. Dean is seen walking away from the house while Frankie runs after him. Dean tells Frankie to go back to her mom despite Frankie begging him to stay. Dean challenges her to a race in an attempt to send her back to Cindy. He continues walking away while Cindy picks up an upset Frankie, who cries 'I love him.' The film ends with photos of Dean and Cindy in the early days of their romance illuminated by fireworks.
Cast[edit]
- Ryan Gosling as Dean Pereira
- Michelle Williams as Cindy Heller
- Faith Wladyka as Frances 'Frankie'
- John Doman as Jerry
- Mike Vogel as Bobby
- Marshall Johnson as Marshall
- Jen Jones as Gramma
- Ben Shenkman as Dr. Feinberg
- Maryann Plunkett as Glenda
Production[edit]
Williams was 21 when she received the script in 2002 and Gosling committed to the production four years later, but filming did not begin until 2009, when Williams was 28 (as was Gosling), owing to Cianfrance's inability to find financing. The director was also unable to film the 'young' and 'older' scenes several years apart as he had hoped, again due to lack of money.[3] The film was to be shot in California but production was moved to Brooklyn, New York and Honesdale, Pennsylvania. Williams wanted to stay close to her Brooklyn home to take care of her daughter, Matilda (after the passing of Heath Ledger the year prior), so the director chose Honesdale due to its proximity to Brooklyn.
I took a compass and (...) literally put one point of the compass on her house, and I drew a circle, an hour diameter around her house, and it just touched Scranton, Pennsylvania. So the next day I drove to Scranton (...) and we said, 'We're shooting here'.
— Derek Cianfrance[4]
Gosling and Williams improvised dialogue; the scene in which their characters wander through New York together was unscripted, for example; the actors—who had both appeared in The United States of Leland (2003) but had not shared scenes—got to know each other during its filming.[3] Before filming the marriage dissolution between the main characters, Gosling and Williams prepared by renting a home, bringing their own clothing and belongings, buying groceries with a budget based on their characters' incomes, filming home movies and taking a family portrait at a local Sears with the actress who played their daughter, and staging out arguments.[3][5] Cianfrance visited the actors and assisted them in building tension while remaining in character: 'One night he told Gosling to go into Williams' bedroom and try to make love to her. Gosling, soundly rejected, ended up sleeping on the couch.'[5]
The film was shot in Super 16mm and Red One. The former was used for the pre-marriage scenes and the latter was used for the post-marriage scenes.[6]Andrij Parekh used only one professional light in the filming of the outside scenes, otherwise using only practical lights for the inside scenes.
While on The Hollywood Reporter Director's Roundtable, Cianfrance said that he had given up his entire director's fee to help fund the film: 'I mean, it came down to we were exactly my fee short. They paid me and I just paid it back. So I still have to pay taxes on it, you know. So I actually had to pay to make the movie.'[7]
Music[edit]
Gosling wrote and performed some songs by himself. The band Grizzly Bear composed the score of the film. A soundtrack for the film was released by Lakeshore Records.
One of the film's feature songs, 'You and Me', which is presented as the couple's personal song, was originally recorded as a demo by a group called Penny & The Quarters for the obscure Prix Label of Columbus, Ohio in the early 1970s. It was re-released on a compilation album by the Numero Group in 2007 without the members of the group being identified.[8]
![Blue Blue](http://www.adufpb.org.br/site/wp-content/uploads/2012/06/china_blue.jpeg)
Release[edit]
The film premiered in competition at the 26th Sundance Film Festival. The film was screened in the Un Certain Regard section at the 2010 Cannes Film Festival[9] and premiered at the Toronto International Film Festival on September 15, 2010.[10] In Australia, the film was released on December 26, 2010 through Palace Films.[11] In the United States, it was distributed by The Weinstein Company as a limited release on December 29, 2010.[12]
Rating[edit]
On October 8, 2010, Blue Valentine was given an NC-17rating by the MPAA for American cinemas. This was due to a scene depicting cunnilingus.[13] Gosling accused the MPAA of sexism and misogyny. 'There's plenty of oral sex scenes in a lot of movies, where it's a man receiving it from a woman – and they're R-rated. Ours is reversed and somehow it's perceived as pornographic', he stated.[14][15] The Weinstein Company appealed the decision and aimed for an R without any trims to the film, believing the prior decision would significantly harm the film's potential box office take in the United States.[16] The appeal was successful on December 8, 2010, and the film received an R rating.
The film was given an uncut 15 certificate from the British Board of Film Classification.[17]
Home media[edit]
The film was released on DVD and Blu-ray on May 10, 2011. Special features include an audio commentary with Director Derek Cianfrance, a making-of documentary, deleted scenes, and home movies.[18] The film has grossed $5,336,207 through US video sales.[19]
Reception[edit]
Critical response[edit]
Blue Valentine received critical acclaim.[20]Rotten Tomatoes, a review aggregator, reports that 87% of 203 surveyed critics gave the film a positive review; the average rating is 7.8/10. The website's critical consensus states: 'This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power.'[21] On Metacritic, the film has an average score of 81 out of 100 based on 42 reviews, meaning 'universal acclaim'.[22]Roger Ebert gave it 3.5/4 stars, writing: 'Dean seems stuck. He seems to stay fixed at the initial stage. Can you see the difference between (1) 'He loves me as much as he always did', and (2) 'He loves me exactly like he always did'? I've read reviews saying Cianfrance isn't clear about what went wrong as they got from there to here. Is anybody?'[23]
Top ten lists[edit]
Blue Valentine was listed on many critics' top ten lists.[24]
- 1st – Nathan Rabin, The A.V. Club
- 1st – Mick LaSalle, San Francisco Chronicle
- 1st – Joe Neumaier, New York Daily News
- 2nd – Drew McWeeny, HitFix
- 3rd – Claudia Puig, USA Today
- 4th – Andrew O'Hehir, Salon.com
- 4th – Peter Hartlaub, San Francisco Chronicle
- 4th – Steve Persall, St. Petersburg Times
- 6th – Chuck Wilson, L.A. Weekly
- 6th – Mike Scott, The Times-Picayune
- 7th – Owen Gleiberman, Entertainment Weekly
- 7th – Clint O'Conner, Cleveland Plain Dealer
- 8th – Rene Rodriguez, Miami Herald
- Top 10 (listed alphabetically) – Dana Stevens, Slate
- Top 10 (ranked alphabetically) – Joe Williams, St. Louis Post-Dispatch
Accolades[edit]
In 2006, the script won the Chrysler Film Project, a competition that awards cash to an outstanding new feature film director overseen by Independent Feature Project.[25]
Award | Date of ceremony | Category | Recipient(s) | Result |
---|---|---|---|---|
Academy Awards[26] | February 27, 2011 | Best Actress | Michelle Williams | Nominated |
Casting Society of America[27] | 2011 | Artios Award for Outstanding Achievement in Casting - Low Budget Feature – Drama/Comedy | Cindy Tolan, Richard Hicks (LA Casting Consultant), David Rubin (LA Casting Consultant) | Nominated |
Chicago Film Critics Association Awards[28] | December 20, 2010 | Best Actor | Ryan Gosling | Nominated |
Best Actress | Michelle Williams | Nominated | ||
Most Promising Filmmaker | Derek Cianfrance | Won | ||
Golden Globe Awards[29] | January 16, 2011 | Best Actor – Motion Picture Drama | Ryan Gosling | Nominated |
Best Actress – Motion Picture Drama | Michelle Williams | Nominated | ||
Gotham Independent Film Awards[30] | November 29, 2010 | Best Film | Nominated | |
Independent Spirit Awards[31] | February 26, 2011 | Best Actress | Michelle Williams | Nominated |
London Film Critics Circle Awards[32] | February 10, 2011 | Best Actor | Ryan Gosling | Nominated |
Online Film Critics Society Awards[33] | January 3, 2011 | Best Actor | Ryan Gosling | Nominated |
San Diego Film Critics Society Awards[34] | December 14, 2010 | Best Actress | Michelle Williams | Nominated |
San Francisco Film Critics Circle Awards[35] | December 13, 2010 | Best Actress | Michelle Williams | Won |
Satellite Awards[36] | December 19, 2010 | Best Film | Nominated | |
Best Actor | Ryan Gosling | Nominated | ||
Best Actress | Michelle Williams | Nominated |
References[edit]
- ^'BLUE VALENTINE (15)'. Optimum Releasing. British Board of Film Classification. December 17, 2010. Retrieved September 25, 2013.
- ^ ab'Blue Valentine (2010)'. The Numbers. Retrieved March 5, 2016.
- ^ abcRiley, Jenelle (December 8, 2010). 'Scenes from a Marriage'. Back Stage. Retrieved February 13, 2011.
- ^Longsdorf, Amy (January 18, 2011). 'Hearts of darkness'. The Weekender. Archived from the original on February 2, 2011. Retrieved January 26, 2011.
- ^ abHall, Katy. 'Blue Valentine: How Derek Cianfrance Destroyed Michelle Williams and Ryan Gosling's Marriage'. Huffington Post. Retrieved February 7, 2011.
- ^Heron, Ambrose (December 30, 2010). 'Blue Valentine'. FILMdetail. Retrieved January 26, 2011.
- ^'THR Director's Roundtable' on YouTube, accessed October 6, 2011.
- ^'Penny, the Quarters, and where their share of the Blue Valentine quarters are'. Numero Group: By The Numbers. January 18, 2011. Retrieved January 26, 2011.
- ^Leffler, Rebecca (April 15, 2010). 'Hollywood Reporter: Cannes Lineup'. The Hollywood Reporter. Retrieved January 26, 2011.
- ^Lambert, Christine (2010), 'Blue Valentine premiere – 35th Toronto International Film Festival', DigitalHit.com, retrieved April 7, 2012
- ^'Palace Films to release Blue Valentine starring Ryan Gosling and Michelle Williams'. Filmink. March 19, 2010. Retrieved January 26, 2011.
- ^'The Weinstein Company Sets Dec. 31 Release Date For Blue Valentine, Picks Up The Company Men & Schedules 2010 Slate'. The Playlist. March 24, 2010. Retrieved March 24, 2010.
- ^Semigran, Aly (October 18, 2010). 'Ryan Gosling and Michelle Williams' Blue Valentine Gets NC-17 Rating: Why This Makes Us, Well, Blue'. MTV. Retrieved January 26, 2011.
- ^Ehrlich, David (December 8, 2010). 'Blue Valentine' NC-17 Rating Reversed; Ryan Gosling Accuses MPAA of Sexism'. Moviefone.com, accessed October 17, 2011.
- ^Smith, Peter (November 19, 2011). 'Ryan Gosling calls MPAA misogynistic over NC-17 rating for Blue Valentine oral-sex scene'. Nerve.com, accessed October 17, 2011.
- ^Karger, Dave (October 14, 2010). 'Weinstein Co. appealing Blue Valentine NC-17'. Entertainment Weekly. Retrieved January 26, 2011.
- ^Stewart, Sara (December 8, 2010). 'Slightly less blue Valentine'. New York Post. Archived from the original on February 27, 2011. Retrieved January 26, 2011.
- ^'Blue Valentine [Blu-ray]'. Cinema Blend, accessed October 5, 2011.
- ^'Blue Valentine'The Numbers, accessed December 8, 2016.
- ^DeMarco, Laura (February 11, 2015). 'Five sexually-charged films that faced ratings controversies before 'Fifty Shades of Grey''. The Plain Dealer. Retrieved February 13, 2015.
- ^'Blue Valentine (2010)'. Rotten Tomatoes. Fandango Media. Retrieved November 29, 2018.
- ^'Blue Valentine Reviews'. Metacritic. CBS Interactive. Retrieved October 6, 2011.
- ^Ebert, Roger (January 5, 2011). 'Blue Valentine'. RogerEbert.com. Ebert Digital LLC. Retrieved April 11, 2018.
- ^Dietz, Jason (December 9, 2010). '2010 Film Critic Top Ten Lists'. Metacritic. Retrieved January 3, 2018.
- ^Kay, Jeremy (September 19, 2006). 'Blue Valentine wins $1m Chrysler Film Project contest'. ScreenDaily.com. Retrieved January 26, 2011.
- ^'Nominees for the 83rd Academy Awards'. Academy of Motion Picture Arts and Sciences. Retrieved January 26, 2011.
- ^'2011 Artios Award Nominations for Outstanding Achievement in Casting'. Casting Society of America. 2011. Retrieved January 7, 2012.
- ^'Chicago Film Critics Awards - 2008-2010'. Chicago Film Critics Association. Archived from the original on February 24, 2010. Retrieved January 26, 2010.
- ^'Nominations and Winners - 2010'. Hollywood Foreign Press Association. Archived from the original on September 20, 2012. Retrieved January 26, 2011.
- ^Adams, Ryan (October 18, 2010). '2010 Gotham Independent Film Award Nominations'. AwardsDaily. Retrieved January 26, 2011.
Adams, Ryan (November 29, 2010). '20th Anniversary Gotham Independent Award winners'. awardsdaily.com. Retrieved January 26, 2011. - ^'2011 Nominees'(PDF). Independent Spirit Awards. Archived from the original(PDF) on March 4, 2011. Retrieved January 26, 2011.
- ^Ng, Philiana (December 20, 2010). 'The King's Speech, Another Year Lead Nominations at London Critics' Circle Film Awards'. The Hollywood Reporter. Retrieved January 26, 2011.
- ^Stone, Sarah (December 27, 2010). 'Online Film Critics Society Nominations'. awardsdaily.com. Retrieved January 26, 2011.
Stone, Sarah (January 3, 2011). 'The Social Network Named Best Film by the Online Film Critics'. awardsdaily.com. Retrieved January 26, 2011. - ^'2010 Awards'. San Diego Film Critics Society. Retrieved January 26, 2011.
- ^'The San Francisco Film Critics Pick The Social Network'. awardsdaily. Retrieved January 26, 2011.
- ^'2010 Nominations'(PDF). International Press Academy. Retrieved January 26, 2011.
External links[edit]
- Blue Valentine on IMDb
- Blue Valentine at Box Office Mojo
- Blue Valentine at Rotten Tomatoes
- Blue Valentine at Metacritic
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Blue_Valentine_(film)&oldid=900089387'